MATERIAL DESIGNER / ART&DESIGN DIRECTOR

Presently, I am captivated by the intersection of material research, biology, and chemistry, driven by a desire to transcend the boundaries between science and design through regenerative and sustainable approaches.My journey has been dynamic, transitioning from Pharmacy to Psychology before discovering my passion as a Product Designer. Fascinated by the fusion of digital fabrication technology and traditional craftsmanship, my focus shifted towards exploring the evolution of Thai handicraft in my final project.Intrigued by the relationship between art, design, and government support, I delved into political activism as a Visual Campaigner for a political party. Later, I assumed the role of Art Director for Creative We Made in Australia, a vibrant platform celebrating Thai culture through various mediums including food, art, and craft.Immersing myself in diverse languages and cultures, I sought to broaden my perspectives and deepen my understanding of the multifaceted role designers play in shaping society. These experiences underscored the importance of embracing diverse viewpoints and imagining alternative futures.Currently, I am pursuing a master's degree in Material Futures at Central Saint Martin University of Arts London, where I am furthering my exploration of innovative materials and sustainable design practices.

Phase 1: Magic Circle AltarWe begin by creating a representative altar to form a magic circle, following a process that symbolizes the creation of hydrogel bandages. Each element is acknowledged with corresponding materials:Air (East): Incense (herb)
Fire (South): Candle (UV light)
Water (West): Glass of Water (CaCl2)
Earth (North): Salt (drawing nozzle to inject Alginate into a bath)

Phase 2: Ritual Ceremonial PerformanceThe ceremonial performance unfolds in three stages:Extracting Oil from Flowers: The ritual begins with extracting essential oils from Lavender, Hibiscus, and St. John’s Wort.
Spinning via Occult Machine: The oils are then spun into a hydrogel bandage using a spirograph technique, symbolizing ancient occult practices.
Revealing the Bandage: Finally, the completed bandages are revealed through an old projector, adding a mystical element to the process.

Phase 3: Spell and ChorusA spell poem describes each process, interwoven with the chorus of a church song to blend the spiritual and the scientific, enhancing the ceremonial atmosphere.Hibiscus Alchemy aims to deepen our connection to nature's healing power and advance holistic healing methods by combining the wisdom of ancient practices with modern scientific advancements.

The inspiration for Holy Mold struck me when I observed the colorful glassware in the church, reflecting the sunlight. This led me to ponder whether it was feasible to replicate such aesthetic beauty using bacteria.To begin my experiment, I utilized bread containing yeast capable of growth. I then shaped the bread using stamp prints to create intricate embroidery-like patterns. Placing these bread shapes in a wet vacuum environment allowed the bacteria to proliferate.The results of the experiment were fascinating, showcasing natural hues and shapes reminiscent of the stained glass found in churches. This convergence of nature's colors and forms sought to capture the essence of the glassware's beauty within the realm of bacterial growth.

Brief #23: BasketClub x CraftsnlThe BasketClub community has issued an open brief inviting handicraft designers from around the globe to develop innovative weaving techniques for showcasing on an online platform during the COVID-19 pandemic. This initiative aims to foster creativity and connection among artisans in a time of social distancing.Inspired by the electronic waste near my accommodation, I decided to repurpose materials such as clear elastic wire and cable adapter accessories. My design concept revolves around using these unconventional materials to create a unique weaving technique.Drawing from the traditional fishnet weaving method, I adapted the technique to incorporate cable ties, which serve as connectors for each pattern. This approach not only gives new life to discarded electronic components but also highlights the potential for sustainable and resourceful design in modern handicrafts.Through this project, I aim to demonstrate the versatility of weaving techniques and the creative possibilities that arise from using recycled materials. The final piece will be showcased on the BasketClub platform, contributing to a global dialogue on innovation and sustainability in the world of handicrafts.

Have you ever had a day
where bad luck just won't let go,
following you like a shadow?Picture a moment when you decide to DON’T GIVE A SH*T.
Now, imagine a peculiar event – a pigeon, sensing your surrender, adds a twist to your day by leaving its droppings, commonly thoughtto bring good luck. What makes this unexpected meeting interesting is the interaction between the bird droppings and a specific metal, copper. Bird droppings, rich in uric acid and ammonia, set off chemical reactions, resulting in a unique color on copper surfaces.This discovery sparks a creative journey – the development of jewelry inspired by bird shapes. These carefully crafted pieces, meant for areas prone to bird droppings like the shoulder,shoes, or wrist, represent a fusion of art and science.

The final jewelry, shaped like birds excreation dropping and featuring a special color, symbolizes unexpected beauty emerging from what initially seemed like misfortune. What distinguishes these pieces is their intentional design – avoidingdirect contact with the wearer's skin, they attach to other items, creating a visually captivating changeIn essence, the story unfolds from a day filled with persistent bad luck to the creation of tangible, wearable art. It stands asevidence of the transformative potential in unexpected events,challenging traditional ideas about luck and turning a negativeexperience into a source of inspiration. This journey not only connects superstition, chemistry, and aesthetics but also prompts reflection on the deep ties between the unexpected and the beautiful, encapsulating a narrative that spans from the ordinary to the extraordinary.

Have you ever considered the intricate mechanisms behind your body's functioning? Imagine hurrying to a destination, feeling warm, and shedding layers of clothing upon arrival. Shortly after, as the temperature drops, you find yourself donning thicker clothes. This familiar scenario highlights how our bodies adeptly manage and control temperature.What if we could harness nature's ingenuity? Repurposing our body's warmth generated from activity to provide comfort during periods of rest offers a fascinating possibility.Animals exhibit various adaptations to cope with weather conditions. Birds have feathers that offer insulation, aerodynamics, and display functions. Mammals typically have fur for insulation, sun protection, and camouflage. Humans, being endothermic, regulate body temperature through metabolic processes, maintaining a balanced state.During physical activity, our bodies generate heat through metabolism. Unfortunately, much of this energy is often wasted. Instead of relying on animal-derived resources for comfort, we can harness our own energy. By capturing the warmth generated during movement, we can ensure it envelops us in comfort when we rest.

In a world committed to balancing with nature, 'Human Naturalic' promotes sustainability and harmony. Our approach connects the waste from restaurants with agricultural needs, fostering regenerative design. By repurposing organic waste, we enhance soil health and support sustainable farming practices, ensuring a resilient and secure food system.We are also at the forefront of innovation with our heat-hijacked garments, which blend technology and nature to provide optimal comfort. These garments capture and utilize body heat, reducing the need for external energy sources and promoting environmental conservation.KEEP THE PLANET COOL
AND MAKE PEOPLE WARM
IN THEIR OWN SKIN.

The industrial revolution increased the importance of technology. But, when technology becomes too dominant,the gap between artisans and technologists growing up. Also, the notion of preservation till no development is associated with craft work which necessitates the use of old techniques.Can't keep up with the world, even if it's evolved via patterns,colours, or materials. but returned and did not advance at allHandicraft and digital fabrication share similarities in their creation process. Humans use their minds and hands to develop patterns and weave, while computers use CAD and CNC to produce functional components. Both methods can be used for subtractive and additive manufacturing.Through this project, you can explore mutation and witness the new version of craft.I am using the term 'Mutation' instead of 'Evolution' because the environment surrounding this situation: : The environment surrounding the craft situation in Thailand lacks sufficient positive influences to drive development, similar to how cells naturally undergo evolution to better survive in their environment. Therefore, the term 'Mutation' is chosen to highlight the introduction of specific changes that can potentially lead to improved craft. This is the reason 'MUTATE' was born.

My project centers on using digital fabrication to create contemporary designs that showcase the unique beauty and cultural identity of traditional Thai handicrafts. By combining modern technology with traditional craft techniques, I aim to bridge the gap between artisanal practices and industrial manufacturing.To achieve this, I conducted extensive research on various materials used in traditional Thai crafts, particularly basketry. By analyzing the properties of these materials, such as their texture, flexibility, and structural properties, I identified their unique qualities and how they could be integrated with digital fabrication techniques.
Using this knowledge, I designed a project that incorporates Thainess and showcases the distinctive properties of traditional Thai handicrafts while benefiting from the precision and efficiency of digital manufacturing.Through experimentation and innovation, I hope to inspire further exploration and development in the integration of traditional crafts with modern materials and technology.